Poetry reminds me, daily, of the simultaneous singularity and plurality of human experience: for all our differences, for the ways in which we have attached meaning to those differences, hated...
We invited contributors from the April “Exophony” issue to tell us about a favorite poem in their “original” language, or in their “adopted” literary language.
We invited contributors from the April “Exophony” issue to tell us how they began writing poetry in a “non-native,” or second, or other language, and why (in 100 words or...
We invited all contributors from the April “Exophony” issue to tell us the story--or a story--about learning the language that they’ve adopted for poetry (in 100 words or fewer).
In addition to many new poems and translations from Asiya Wadud, Aditi Machado, Renee Gladman, and more, the issue features the portfolio, “‘These Blazing Forms’: The Life and Work of...
By Whitney DeVos & Hugo García Manríquez
February 28, 2022
We can’t ignore our limitations, of course, but they shouldn’t be a reason not to translate in the first place. Perhaps one has to admit [...] that one never will...
By Sarah Ahmad & Giannina Braschi
February 9, 2022
What I am always puzzling over in her writing and thinking is how it declares questions with such aplomb, a poetics of salvage that doesn’t look for an elsewhere but...
I first became acquainted with the idea of poetry ancestors when I read a 2015 lecture by Joy Harjo. When she talked about ancestors of poems and poetry genealogies, I...
As soon as you think you get a hold of this cyborg’s story, she cuts the emerging (and comforting) integrative flow and disables your human-centric, and very normative, desires.
In that encounter, I learned that I was Appalachian, that my tongue had smuggled the mountains with me across the commonwealth. Startled by the sound of my own voice when...