Margaret's Question to the Elevator as Much as to the Man
                        
                            By Ed Roberson
                        
                    
                
                                                                
                            the whole point of this is what she asked
 of him      not who he thought he was      but what
 whatever      his accomplishment could do
 — and here’s the finer   point —   for whom—?
 and if I follow that      up and down
 the stories      I come to the landing
 where she asks      even the elevator itself   anew but
 inveterate      climber what it thinks it’s all about —
 this getting   — nowhere up than down —   then out —
 on the street leveled again      enough to look up. —   What
 into balance     does that un-staggering
 moment bring     fetch down?
                                                     We always did think up
 there held treasures   like how to —
 raise more   land out of what we had.   — but what
 about us        what does up
 there have to say to lift us?
 up      if it’s into whiteness black ain’t      all that
 interested.      all that      already got
 it’s own god bless.      this chile know where it’s at.
 all it’s asking is      what is it next      what
 is his own up      to?
 his own     could be we know how to      get down
 deep and dirty into it      fuck it      through
 the wall’s off the     see how deep is    down
 existentially or       up out of  aspiration presupposedly
 we blow into what we have taken in
 and take over      the party
 change affiliation to up      to somethin’
 surreptitious as always have   had to
 under to get over        over what we wanted
 it to be. done. really over          the up to
 now fulfilled.   the bloody running done its vaunted lip.
                
                    
                        Notes:
                        
            
                        
                                                
                                                                    
                            This work is part of the portfolio “‘These Blazing Forms’: The Life and Work of Margaret Danner” from the March 2022 issue.
                    
                        Source:
                        Poetry
                                                                                                                                                                    (March 2022)