Harriet: News & Community

For any writer, the life of Samuel Taylor Coleridge brings moments of painful recognition at every turn. Richard Holmes’s magisterial biography of Coleridge is replete with examples of the Romantic...

Susan Howe's latest collection, Concordance (New Directions), contains "many wonders," writes Mark Scroggins at Hyperallergic.

Stray: A Graphic Tone "pairs two poets who are experts of sound, language, and archive — Nathaniel Mackey and Susan Howe."

Last night, at a star-studded ceremony in Toronto, the Griffin Trust awarded the 2018 Griffin Poetry Prize to Susan Howe's latest collection, Debths, and This Wound Is a World, by Billy-Ray Belcourt. Reporting...

In the new issue of Bookforum, Emily LaBarge writes "A Poet of the Archives," which considers Susan Howe's relationship to the archive, and her recent book, Debths (New Directions, 2017): "[Howe] perceives and...

In communities of poets, one can sometimes perceive a faint hum of grumbling ambivalence about the fact that many of us fell in love with, were made smart about, and...

John Vincler considers works by Susan Howe, including Spontaneous Particulars: The Telepathy of Archives, underlining the poet's engagement with archives. "It is as if Howe has sought to take the experience...

Langdon Hammer writes "Inside & Underneath Words," a review of Susan Howe's Debths, for the new issue of NYRB. Hammer moves first through the classics: "My Emily Dickinson is a powerful book about...

At Hyperallergic, Douglas Messerli nods to Susan Howe's latest and rumored to be her last (though we certainly hope not) collection of poetry, Debths. The collection's title is culled from...