Asian woman in a suit smiling with a pen and a paper in her hands inside what looks like a restaurant

Writer and editor Victoria Chang’s books include The Trees Witness Everything (Copper Canyon, 2022); OBIT (Copper Canyon, 2020); Dear Memory: Letters on Writing, Silence, and Grief (Milkweed Editions, 2021); Circle (2005), winner of the Crab Orchard Review Award Series in Poetry; Salvinia Molesta (2008); The Boss (2013); and Barbie Chang (2017). Her poems have been published in the Kenyon Review, Poetry, the Threepenny Review, and Best American Poetry 2005. In 2017, she was awarded a Guggenheim Fellowship.

Poet Susan Settlemyre Williams, reviewing Circle for the online journal blackbird, commented on the collection: "It frequently brings Randall Jarrell to mind, both in its wide range of subjects, including art, film, and history, in its many dramatic monologues, and particularly in its fundamental inquiry into the slippery nature of identity." She noted the presence of characters in liminal states and women struggling with restrictive roles, observing that Chang's "rueful wit and sense of irony undercut any sense of self-righteousness."

Victoria Chang earned a BA in Asian studies from the University of Michigan, an MA in Asian studies from Harvard University, an MBA from Stanford University, and an MFA from the Warren Wilson MFA Program for Writers. Chang is the editor of the anthology Asian American Poetry: The Next Generation (2004). In addition to editing, she writes children's books and teaches in Antioch University’s MFA program. She lives in Southern California with her family.